The Sacred Sundance: The Transfer of a Ceremony

20081 h 9 min 22 secFilm: Documentaire

G

Réalisation: Brian J. Francis

Production: Kent Martin

Scénarisation: Brian J. Francis

Under a sweltering July sky, participants in the sacred Sundance ceremony go four days without food or water. At the end of the gruelling experience they will pierce the flesh of their chests in an offering to the Creator.

The Sundance is a ritual long misunderstood, and once banned - but one that is now helping to bring personal and social healing to East Coast Indigenous communities.

With The Sacred Sundance, Mi’kmaq director Brian J. Francis journeys into the traditions of North American Indigenous spirituality. The Sundance is new to the Mi'kmaq people of Eastern Canada, brought to them from the West by elder William Nevin of the Elsipogtog First Nation. This event marks a unique transmission of traditional culture from one First Nation to another.

Nevin first dances for two of his children who were critically ill, and later to help heal his fractured community. Another man becomes involved in an effort to leave behind a life of alcohol and criminal activity, and to become a role model for his young family. A woman takes part in order to understand her identity and affirm her role as a North American Indigenous woman. For all of them, the Sundance is a link to the great warrior traditions of the past.

The Sundance itself cannot be filmed, but through the preparations for the ceremony, and through the words of its participants, we are left with a deep understanding of the healing power it has brought to communities who did not traditionally practice it. The film offers a model for Indigenous people reclaiming their heritage and embracing traditions - and with them, hope for the future.

Catégories de sujets


  • Peuples autochtones au Canada (Premières Nations et Métis) > Provinces de l'AtlantiqueReligion et Spiritualité
  • Danse > Danses folkloriques
  • Religion et Philosophie > GuérisonSpiritualité des autochtones
  • Histoire et éducation à la citoyenneté > Culture et mouvements de pensée (1500 à nos jours)Expansion du monde industriel (les années 1800)
  • Études autochtones > Identité/Société
  • Santé/Formation personnelle > Usage et abus de substances/Dépendance
  • Santé et mieux-être/bien-être > Dépendance (sevrage de l’alcool et des drogues, désaccoutumance du tabac)Santé, guérison et médecine traditionnelle
  • Nature et connaissances écologiques > Botanique, plantes, foresterie - Ethnobotanique et usage traditionnelUsage traditionnel de la forêt
  • Vision du monde, croyance, spiritualité – Philosophie et idéologie > Cérémonies, rituels, traditions Cérémonies de danseRites de passageDanse du soleilHutte de sudation
  • Recherche, analyse, incidences et résultats concernant les politiques gouvernementales de colonisation > Colonisation
  • Éducation > Éducation autochtone – Canada
  • Rôles et relations > Identité autochtone
  • Communautés > Systèmes de savoir autochtone et propriété intellectuelle
  • Gouvernance autochtone Général (moderne/contemporaine) > Dirigeants autochtones et leadership
  • Peuples autochtones : Canada > Mi’kmaq / Micmacs (L’nu)

Générique


participant
Kani Malsom
William Nevin
Bernard Jerome
Keith Chiefmoon
Nathan Chasing Horse
Pamela Red Cloud
Melvin, Jr. Brewer
Hubert Francis
Eugene Sock
Stephanie Simon
Cynthia Davidson
écriture
Brian J. Francis
réalisateur
Brian J. Francis
producteur
Kent Martin
cinématographie
Nigel Markham
son
Alex Salter
monteur
Rohan Fernando
superviseur de production
Patricia Coughran
prise de son additionnelle
Rohan Fernando
Kent Martin
musique additionnelle
David R. Maracle
recherche
Brian J. Francis
montage son
Alex Salter
ré-enregistrement
Allan Scarth
étalonnage vidéo
Steve Cook
en-ligne
Steve Cook
agent, marketing
Amy Stewart Gallant
Philip Moscovitch
administrateur de centre
John William Lutz